Japanese fiction works are better than Western ones Essay Example for Free

Japanese fiction works are better than Western ones Essay Q:What kind of Japanese fiction works? A:This presentation is mostly about comics and animation produced in Japan, but it covers also TV Shows and movies Topic: Japanese fiction General Purpose: To persuade Specific Purpose: To persuade you that Japanese fiction is better than western fiction regarding comics, animation, movies and TV shows Thesis statement: Although Western people see Japan as a calculating land with brutally efficient workers, they are in fact individualistic, expressive and sentimental if we can judge them from their works of fiction who surpass our own in various aspects Introduction: I. How other countries think of Japan II. Thesis statement III. Reminding the meaning of the terms manga and anime Body: I. First argument: Japans tendency to mix various influences from all over the world A.Japan borrows various foreign things and merges them with other elements B.Example regarding religion of Japan C.This tendency in regards to fiction II.Second Argument: How Japanese portray life, human relations, nature and the world in their fiction works A.Human nature is portrayed as it is B.Japans popular culture has a tight closeness to the ordinary, everyday lives of its audience C.Manga on any theme imaginable and toward any age range D.How human relations are portrayed III.Third Argument: Heroes fate after their struggle, death and the morality of the universe in Japanese fiction A.What defines a hero in Japan B.Death in japanese fiction C.View of the universe as amoral IV.Opposition/Refutation A1. Pornographic themes in manga and anime A2. Refutation B1. Japans cultural insularity robs it of relevance for other societies B2. Refutation Conclusion: I. Quote from Antonia Levi If someone will say that Japanese people are imaginative, sentimental, expressive and individualistic might earn him strange glances in most countries of the world. Many Westerners see Japan as a cold, calculating land of ant-like workers with brutal efficiency. Students are seen as oppressed slaves to their studies, pounded down like nails until their imaginations and individuality are crushed, or until they are driven to suicide. Japanese social culture is often seen as blanketed under stifling layers of politeness and formality, characterized by endless bowing. However, underneath all these there is the hidden Japanese soul. Almost all of the Japanese escape from reality through fiction works. These domestically created fiction works be it comics, animation, movies or TV shows enjoy great popularity not only in Japan but also in many countries of the world. Therefore, because these specific works are strikingly different from what were used to here in the Western world, it is inevitable to compare these two: the Western fiction works and the Japanese ones. Hello, everybody, my name is I will talk to you about Japanese fiction works and I will compare them to Western ones so as to enforce my opinion and persuade you of course, that Japanese fiction is better than Western fiction. Before starting, I want to make you acquainted with two terms. Manga, which is used to refer to the Japanese comics and anime, which refers to the Japanese animation. As a first argument, I have to inform you that Japan has the tendency to borrow various foreign things and to tinker with them, merging them with native or other elements so that they become something new and often quite distinct from the original. As an example, regarding religion, Taoism was the original religion of Japan but this didnt stop Japanese people from accepting Buddhism as well, and even acquiring some aspects of other religions in addition, like Christianity. In works of fiction this tendency of the Japanese means new and non-static entertainment through mixing different influences from around the world without having to suffice only to the myths and the influences of their own country. For my second argument supporting Japanese fiction, I want to inform you about the way Japanese portray life, human relations, nature and the world in their fiction works. The world and human nature in Japans pop culture can be portrayed as they are, not as they should be. This allows Son Goku, Dragonballs raised in the wild, central character, to be drawn naked, without the private parts-covering fig leaf that had to be added for American TV. It allows as well, the darker side of life to be portrayed. In an episode of Naniwa Kin Yudo, which is an anime TV series, the protagonist Haibara encourages the girlfriend of a customer, who cannot repay his loan, to work as a prostitute to cover her boyfriends debt. Scenes such as this can be disturbing but they are part of life and are neither denied nor hidden. Kazuhiko Torishima, editor of Japans best-selling comic magazine Shonen Jump states: I feel sorry for U.S. kids, who live in an adult-filtered Disney world. Moreover, Japans popular culture has a tight closeness to the ordinary, everyday lives of its audience. American comic artist Brian Stelfreeze has said: Comics in the U.S. have become such a caricature. You have to have incredible people doing incredible things, but in Japan it seems like the most popular comics are the ones of normal people doing normal things. Part of the normalcy is that the characters that populate Japans manga, anime and TV dramas display plenty of character flaws and weaknesses along with their strengths and good points. Furthermore, as Ian Reader, a scholar of Japanese religions and popular culture, has noted: Manga are simply too fascinating, colorful and rich a literary medium to be left solely to children. In Japan one can find manga on any theme imaginable and toward any age range. which is certainly not the case with American comic books. In addition, Timothy Craig which is an author, writes in his book entitled Japan Pop! that, human relations are a pervasive topic in Japanese pop culture, as one would expect from a society that places great importance on the group, harmony, and the smooth management of conflict. Human relations are also portrayed with a sophistication that does justice to the complexity of human affairs. Issues are many-sided, emotions are mixed, solutions are neither easy nor obvious, and outcomes are often ambiguous not unlike real life. He continues by saying that, in Japanese fiction the human characters are more real. They  exhibit a fuller range of human emotions and are put into more realistic situations, sometimes with unpleasant outcomes, than allowed by Disneys perfectly preserved, stiflingly safe fairytale-based storylines. For my last argument I will talk about heroes fate after their struggle, about death and the morality of the universe and therefore god, in Japanese fiction. We here in the Western world, are used to good being only good and be rewarded in the end and evil being only evil and be punished in most of the cases. This is not the case in Japanese culture. Its not unknown in Japan for heroes to become villains and vice versa. Moreover, the Japanese hero is defined by motivation than in the West where heroism is more dependent on result. The ideal Japanese hero is not only self-sacrificing, but also unconcerned with personal gain or survival. The heros willingness to give his or her all to it is what counts. Winning doesnt matter either. Losing and gaining nothing confirms the heros altruism and renders his or her sacrifice all the more tragic. Many characters also, meet meaningless, undeserved ends. And fans love that aspect, the fact that bad things, even death, can happen to any characte r at any time. It doesnt matter how brave, how good, or even how popular they are. According to my opinion, this fact is absolutely in accordance to how our own world works. Death and bad things generally, can be around the corner for any person, no matter how kind or good-willed he or she is. According to a book by author Antonia Levi titled Understanding Japanese Animation that doesnt happen on American TV where virtue is rewarded and evil is punished. Thats mainly because America is a Christian culture that believes that the universe is, or it should be, a moral place. The Japanese peoples take on this is that universe is amoral. Shinto as well, has no moral code at all! It simply celebrates life. Heroism and self-sacrifice may define a japanese character as a hero, but they will not save him or her. The universe simply doesnt care. On the opposing side now and regarding manga and anime specifically, some of you may have noticed and may say that a lot of these works have pornographic themes. Wrong. According to the author of the book Understanding Japanese Animation these works are actually a very small portion of the total production of Japan in manga and anime that is disproportionately exported  to the Western world. Another opposition stated by quite a few people, expresses that Japan is a one-dimensional economic power marked by a cultural insularity that robs it of relevance for other societies. Wrong again. The success and presence of Japans cultural exports in countries apart from Asian ones such as U.S.A, Canada and most of the European countries is strong evidence that Japans culture does have relevance for other societies. To conclude, and quote author Antonia Levi, its not just that Japans pop culture deals with dilemmas in a more realistic fashion, or that it raises issues considered taboo in other countries. Its willingness to show death and other bad stuff restores a kind of tension, a genuine dramatic emotionality that Hollywood and TV seem to have forgotten about. Bibliography: Clements, Jonathan and Helen McCarthy. The Anime Encyclopedia: A Guide to Japanese Animation Since 1917 Stone Bridge Press, 2001. Craig, Timothy. Japan Pop: Inside the World of Japanese Popular Culture East Gate, 2000. Levi, Antonia. Samurai from Outer Space: Understanding Japanese Animation Carus Publishing, 1998. Patten, Fred. Anime Stereotypes. Newtype, Issue Dec.2003 A.D.Vision Publications. For my third argument supporting my opinion, I will talk about the presence of female heroes in Japanese fiction. In the Western world apart from such exceptions as Wonder Woman, She-ra and Xena the role of superhero has traditionally been reserved for males, and targeted a predominantly male audience especially in comic books. This is not the case with Japanese  fiction. Japanese dont neglect females be it on the starring roles of their fiction works or as a target group audience. In manga specifically, there exists a separate genre called shoujo manga with many sub-genres itself, which raises issues and has stories related and devoted to women. The presence of females as featured heroes in manga, animation and TV shows has been much stronger in Japan than in the western world. As the book Japan Pop specifically reports: in Japan girl heroes are now as common and popular as boy heroes. The reasons for this are complex and, while hardly due to a greater feminist consciousness in Japanese society, are clearly linked to the increase in recent years of female artists.

John Donne Essay -- John Donne Biography Poets Poetry Essays

John Donne John Donne had a rich life full of travel, women and religion. Donne was born in 1572 on Bread Street in London. The family was Roman Catholic which was dangerous during this time when Catholicism was being abolished and protestant was taking over. Donne’s farther was an iron monger who died in 1576. At 11 Donne and his younger brother went to university and studied there for three years then he went to Cambridge for a further three years. He left without any degrees because as a Catholic he could not swear the ‘Oath of Supremacy’, which made you swear an oath declaring Henry VIII as head of the Church of England, Donne refused to swear this. In 1592 Donne joined a law practice and a legal career seemed ahead of him. In 1593 Donne’s brother Henry died of a fever in prison after being arrested for sheltering a catholic priest, John Donne then started to question his faith and wonder why his brother who was doing g-ds will would be allowed to be arrested and die in jail. As both his farther and brother had now passed away Donne inherited a considerable amount of money, which he spent on women, travelling and other pleasurable pursuits. In 1596 Donne joined a naval expedition against the Spanish Armada. One year later he sailed to the Azores. Often in John Donne’s poems they include his travels and experiences for instance in the poem ‘To his mistress going to bed’ he says ‘license my roving hands and let them go†¦ O America! My new found land[1] Donne possibly means that the woman in front of him is a new land waiting to be discovered and explored. In 1598 Donne was appointed Private Secretary to Sir Thomas Egaton. This meant he was on the road to a promising career. Later in 1601 John Don... ...is writing and how he thought also how he was conflicted throughout out his life about whether he should convert or not and risk a lifetime in hell and eternal damnation to further his career. I hope you enjoyed my essay. --------------------------------------------------------------------- [1] To his mistress going to bed, by John Donne, John Donne â€Å"Everyman’s poetry† [2] The Flea, by John Donne, â€Å"Complete English Poems†, Everyman [3] The Canonisation, by John Donne â€Å"Complete English poems† Everyman [4] ibid. [5] Hymn to g-d the Father by John Donne, ibid. [6] ibid. [7] ibid. [8] The Good Morrow, by John Donne ibid [9] The Sonne Rising by John Donne, â€Å"John Donne† Everyman’s Poetry. [10] A Valediction Forbidding Mourning, by John Donne, ibid [11] To his mistress going to bed, by John Donne, ibid. [12] ibid [13] ibid

Marcus Garvey Research Paper Essay

Post-Civil war America exercised the segregation of Whites and Blacks. Originally, the aim of this division was to keep everything separate but equal. By the late 1800’s into the 1900’s, the â€Å"separate but equal† motive adapted into the superiority of Whites, leaving much racial tension and limitation for the freed slaves and their ancestors. Marcus Garvey, like many social activists, had many goals to either remove this separation, or to completely relocate America’s blacks to a new place of their own. Marcus Garvey’s ideas of black nationalism and fighting oppression helped shape the identity of African Americans in the United States during the 1920’s. Marcus Garvey was born on August 17, 1887 in St. Ann’s Bay, Jamaica. He began his career as a magazine editor by traveling and residing in Costa Rica, Panama, Jamaica, and London. He eventually began studying Law and Philosophy at Birkbeck College in London. While living in London, he founded the Universal Negro Improvement Association and African Communities League (UNIA), which was dedicated to black racial pride, economic self-sufficiency, and the formation of an independent black nation in Africa. He also became the editor of Negro World, a magazine dedicated to black nationalism, including poetry and articles about African pride and ancestry. In June 1919, Garvey founded the Black Star Line of Delaware, a shipping line for the transportation of goods and to later aid his campaign for his â€Å"Back to Africa† movement. After a year of success, the shipping line went bankrupt. His immediate business failure led him to being accused of mail fraud. Investigator Edwin P. Kilroe attempted to arrest Garvey of his fraud and UNIA associations, although he had not found enough evidence to do so. After back and forth tension between Kilroe and Garvey, on October 1919 a man named George Tyler arrived to Garvey’s office stating â€Å"Kilroe sent me†. Tyler then proceeded to shoot him 4 times with a . 38-caliber revolver. Garvey was then wounded in the right leg and scalp. On August 1, 1920, Garvey proposed his Liberia Program to 25,000 people. This program was to strive for the building of colleges, industry, and railroads to create a permanent homeland for the African Americans in Liberia, Africa. In June 1923, Garvey was finally convicted of mail fraud and sentenced to five years in prison. In 1927 he was released by President Coolige, but deported back to Jamaica. Garvey finished out his years in London, creating the Edelweiss Amusement Company which helped exposed talented but financially unstable musicians and artists. He continued to expose his ideas to future UNIA leaders by setting up an African philosophy school in Toronto. In 1940, Garvey had a stroke, but survived until he read a false obituary of himself stating he had died â€Å"broke, alone, and unpopular†, thus leading to his fatal second stroke. Marcus Garvey died on June 10, 1940. Garvey’s main ideas were closely distinguished with the Pan-African movement in England, where he lived most of his life. His goals were â€Å"to unify people of color against imperialism all over the world† (McKissack 79) Works Cited McKissack, Patricia and Frederick. W. E. B Dubois. New York: Franklin Watt, 1990. â€Å"Universal Negro Improvement Association (UNIA)†. Encyclop? dia Britannica. Encyclop? dia Britannica Online. Encyclop? dia Britannica Inc. , 2013. Web. 14 Apr. 2013 .

Sleep Quality And Academic Performance Essay - 1510 Words

When students first arrive at college, their first fundamental routine of sleep changes dramatically. College students rarely find themselves getting about eight hours of sleep every day. Thus started the idea of how a student’s academic performance can be affected by the amount of sleep they get. The research article, â€Å"Sleep Quality and Academic Performance in University Students: A Wake-Up Call for College Psychologists† written by Steven P. Gilbert and Cameron C. Weaver, represents the perfect study on how sleep quality and quantity can affect a student’s academic performance. At the City College of New York, students are found comparing with one another on how much sleep they have gotten. These times vary due to what they have the following day. These problems come from the tedious studying, testing, and working. 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